It could be a hallucination, perfectly justified, moreover, by being embedded in the rampant psychedelia of Captain Fausto. To many, there is a small UFO that hovers for a few seconds in front of Tomás Wallenstein, while his voice delirium rescued a remnant of pesky kid sings I do not Never Half . Said UFO, at first interpreted as an extension of the magnificent catalog of travel stratospheric displayed by Lisbon quintet, gleaming through green and red lamps, flies again urged the public by electronic and returns from the call to the owner of the remote control, way back near the control booth. The key, however, is: reality stretches in the presence of Captain Faust and the host passes without strangeness phenomena that produce panic or generalized delirium. Delirium, here, on the second night of Fusing, even only one who sees with absolute degree of scientific evidence on the stage.
that time, was already high and cold night walking on the prowl for people less cautious for night cooling of Figueira da Foz. Prior to that, a journey more crowded than the day before the afternoon was claimed by other “stage “Fusing of. Since the free surf lessons, kayak or boogie boarding in the morning on the beach Cabedelo and after lunch on the private beach of the festival, the much sought after class for parents and children about healthy eating by Mafalda Pinto Leite or original battle vs Chef . Chef placing different culinary traditions to invent dishes with the same ingredients and exchanging pennants (more or less spicy) before the public.
But Friday was truly on behalf of another design : rock done in Portuguese, a little personality to seguidismos-prone, but with the security of the discovery of a path. Captain Faust and Fish: Airplane signed two superb concerts in two entirely different movements of expansion. In fact, if the Captain Fausto are explosion, Fish: Airplane are maybe implosion. And, in the first, the enthusiasm is such that the five can not tame the anxiety and jump to the stage when many yet still took the opportunity to take a bite of a burger cod (the gastronomic classic in these parts) or peek at the advances Gemeniano Cruz Neto and Captain (another artist, the same military rank) in his paintings of skulls and other reasons in two kayaks, housed at the Arts Garage. This means that Tomás Wallenstein and the remaining company anticipated concert in ten minutes, when the next stage (Experience) the Miura tried to trigger a chain so electrical discharge sponsored by the metal.
The concert by Captain Fausto is increasingly a wonder. A portent of psychedelic rock that fits the Beatles, the Flaming Lips or Tame Impala, plus a range of riffs shaken wisely drawn to Franz Ferdinand. At the end of the first theme already Wallenstein plays with the guitar to shake her body frantically and throw him to the ground, while keyboardist Francisco Ferreira enjoyed spending time standing over the keyboard. The freedoms of this blind rock before limits are constant – Never I do not half is nearly disappear into the silence a distant echo, soon to return to his tune surf; and shortly after the birthday Luís Montenegro (the jump) is called to take down while Domingos, no instrument is presented as “the dancer Mila”. From start to finish, a sweeping rock concert in festive tone, sublimated through songs like Celebrity Battle of Formariz or Flowers of Evil .
The severity of the songs
If Captain Fausto return the rock to time when everything seemed possible and the music of guitars was driven by a hunger for new universes, the Fish: Airplane Boarding the same route, but doing it by the side of a restraint and a voltage that produces enviesadamente beautiful songs. Have been the riskiest concert master these first two days of Fusing stage, not signing under the idea of partying on stage, before forcing the audience to suspend the talks and let yourself be carried away by an increasingly precious music in their treatment sound – a debugging reminiscent of Portishead
The Fish:. Aircraft permanently place their subjects in the gravitational field of the songs, but increasingly they play with this pattern, filling the topics of electronic minutiae, more keyboards and guitars gnawed of obsession and applied on a tight rhythm section, a remarkable robustness. The voice RonaldoFonseca, meanwhile, sounds increasingly a thread of melody that can cross this wall of sound. The Fish: Airplane start to look only to themselves, joining rock, electronic minimalism and German on a formula that looks like a river to flow on its own course. Almost always shadowed by a set of exquisite lights in five vertical columns of white fluorescence musicians put a backlight that only deepens the mysterious atmosphere of it all.
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